My podcast has returned! Take a listen to it on iTunes (er, Apple Podcasts).
Whatever you do, don’t go to the website darkmysticquill.com. It’s a mess. We’ll get to fixing it soon.
My podcast has returned! Take a listen to it on iTunes (er, Apple Podcasts).
Whatever you do, don’t go to the website darkmysticquill.com. It’s a mess. We’ll get to fixing it soon.
I picked up A Rook Given and decided to establish the POV as Rook’s only. This meant I had to change Edwin as “Master Edwin” or “his master”, and Mebahel didn’t exist any more. The scene that sparked the story had to be taken out (Mebahel heals a little crippled girl and the parents are upset because they can’t get insurance or money from her disability anymore). After rewriting the few chapters I did, the story got cut in half from 22K to 11K, six chapters to four.
This morning I sat down with my outline and plan, and went right off the rails when writing. This means that the Muse is just as sick of being forced into the square peg of this story, that She wants something else. I pulled out my trusty box of StoryMatic, and pulled something random. I sat with a blank page for about ten minutes, then wrote ideas. None worth anything.
But there’s two ideas that are noodling around in my head. One is from The Truck Stop at the Center of the Galaxy world, where an archeologist who is on the station for SCIENCE! hits a wrong button and…oops. The other is Mike (Grimaulkin) goes to a local Comicon. Both would be fun, for my own…edification, not meant for public consumption. Maybe I need to write those before the Muse will either go back to A Rook Given, the Werewolf story, or something else new. Time to clear things out for new stuff.
I’m on Chapter 6 of A Rook Given and have finally introduced one of the catalysts for the story. Maybe it’s kind of late by now.
In a way, I don’t like switching the third-person-limited between three main characters: Rook, Edwin, and Mebahel. What one does, the other doesn’t know the reasons for. Example: Rook’s friend saw everything that happened to Rook and feels the need to tell Edwin. But the reader doesn’t know why. Or how she feels afterward. How do I tie up that loose end?
I’m up to 19K words, a quarter of the way through. Seventy-five K is my goal, but because my writing style is sparse, I don’t know if I’ll be able to get that far. I meant for Chapter 2 to introduce the “call to adventure” but maybe it’s now Chapter 6, and everything else before it is going to get tossed out. I hope not.
The werewolf story… this is where it gets weird. Or magical.
In my writing group, there’s a woman who writes fantasy, and somehow the conversation got on werewolves. “I’d want to write a story where each phase of the moon, the wolf changes.” Well, the funny thing is a couple of weeks ago, the publisher and I started talking about that. I didn’t go with it because it’s been done by White Wolf Games and their Werewolf: The Apocalypse series and didn’t want it to be fan fiction. Coincidence?
In Big Magic, by Elisabeth Gilbert, she goes into a section where writers will suddenly have the same idea. It’s not that she stole the idea from the publisher and me, but it’s that the Universe has this idea, and someone is going to write it, by God. If not me, then maybe this other woman.
It hurts my heart to feel that the Universe doesn’t bless me with the story idea, Even though I rejected it. It’s like not being invited to a party so you could tell them “Oh, sorry, I can’t.” Doesn’t that hurt?
In the hopper are War Mage, Carnival Farm, and “Death”, a short story for October.
I wrote a little bit in A Rook Given, but I stalled really quickly. In the middle of the month, I started writing a story called Bitten or Born. Not sure if it’s a novel, novella, short story, or what.
It’s a spin-off of a character in War Mage, Director’s Cut. Kurt is a werewolf, and has been in the Army for six years. Now that his tour is finished, he’s moved to New Hampshire where there are way too many werewolves. I’ve plotted most of the story, but the problem is, the plot is too short. Of course, this plot is the main plot, no sub-plots inserted yet.
Once I got that plotted out, suddenly A Rook Given seemed clear. It was like I had this other bit I needed to push out in order to continue with Rook. Bitten has male and female characters that have no romance. It took me days of thinking and five minutes with my Muse to figure out how to do that.
In the meantime, I’ve been watching too much Marvel. Bad influences.