For two weeks, I’ve been rewriting my newest WIP. Not editing. Rewriting.
And now it’s totally off the rails, and I’m only on chapter 4.
I tried to make it more involving, make the main character more sympathetic instead of accepting of everything. I ended up making her a lovesick puppy pining for some eye candy.
All the potential, all the fun in the story, is gone. I’m trying to make it logical, give it a plot, make it a typical fantasy story. I’m trying to extend a story line, establish the side stories, introduce characters that will show up later.
It’s logical.
It’s dry.
It’s boring as hell.
That’s not to say the first draft wasn’t boring. The first draft’s main character accepted the Mean Spirit and ran with it. There was no conflict. Oh, there was a plot. There was a story.
It reads like the first hundred pages or so, I’m trying to get my legs under me. By the first quarter, I had a clue. I dropped things here and there that, to be honest today, I have no idea what they meant (I wrote this first draft before having a Story Bible). So with that in mind, I started to sit down and edit.
The next thing I know, I’m rewriting the first chapter because of the deep edit cuts I did in chapter three. The main character should have a lot more questions than she does. But I because i know the answers, I don’t know the questions.
I need to walk away from this story and come back to it and choose to rewrite it. The more I write, the more it’s getting away from me.
As for reading, I’ve read a couple of gay romance novels that were really good, and others that said to me, “If I had that character, I’d do this instead.”
One I was reading at the same time as writing this one and I was thrilled with the characters–until book 2. A friend of mine said, “In Book 2, they always take the character you cherish and do something horrific to him.”
The author did just that. I didn’t finish book two because i was disgusted–more at myself for being led on. I suppose that’s part of the formula (hell, I did it in Book 3 of Grimaulkin’s series).
I took out my cards one day and asked, “What should my next writing project be?” I don’t remember the exact card, but its meaning was clear: something new and different. Because my life is taken up with dialysis, kid, work, and sleep, a brand new writing project doesn’t show up there.
Part of me wants to write to market. Part of me wants to write to write. All of me has no idea what to do next.